There’s something special about studying the way a person smiles or looks a certain way when they think no-one’s watching. Their volunarabilities show...

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Mia Oehlmann - Artist Biography

Mia began her art journey during a difficult recovery after surgery on her spine in late 2014.

Mia is mainly self-taught, works with oil paints but also charcoal sketches and dabbles in sculpting out of mixed materials, resin and miniature busts in Polymer Clay. She has a contemporary classical style, although steps into the abstract at times. Her love of people and animals and their different characters drive her to seek out faces to paint and draw. Mia tries to bring out what is unique in each subject all the while staying true to their likeness, this also goes for her abstract pieces.

Although now based in Melbourne, Australia, Mia grew up in Stockholm, and Småland in Sweden and spent most of her time near or on the water. Her ties with nature, light and water has a tendency to inform her work whether she is doing portraits, still lives or landscapes. 

She has done some short course work with the esteemed Australian and local artists and teachers Geoff Dupree and Ignacio Rojas at Melbourne Studio of Art in Elsternwick, as well as attended a weekend art retreat with visiting Korean-American artist master Zin Lim, and is currently furthering her artistic qualifications by finalising a Fine Arts Degree in her spare time.

Mia is a member of the NRAAA (National Registry of Australian Art and Artists), MAVA (Melbourne and Victorian Artists Inc), ArtAviso, and has exhibited at the Camberwell Art Show 2018, RAW Artists Melbourne Oct 2018, The Mornington Art Show 2019, ArtAviso ‘VitroForm’ Exhibition at Lord Coconut, Melbourne Fringe Festival 2019, as well as MAVA ‘MANIFEST’ Exhibition at 345AC Gallery 2019, amongst others.

“Capturing the expressions in the faces of people and their companions is something I love to do. ”

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I work closely with my clients on their commissions. I like to know what it is that they want from the painting, if there is a ‘theme’ (for offices and companies), I will research, discuss and provide preliminary sketches to make sure they are happy with the outcome. I also seek to find if there is something of particular meaning they wish brought out in the piece.